bets, music
Jason posted on November 30, 2007
[I was sick all week - even called out yesterday - as well as mad busy at work, so I apologize for the lack of posting. Illness plus long hours does not exactly inspire many a dick joke. I hope this holds you over for now and we'll pick up next week.]Six Bets
Falcons (+3) over RAMS
My weekly contrarian pick: More action is going on the Rams than any other team this week, to the tune of 78% betting Rams. Other lopsided games are Chargers (-6) over CHIEFS (76% on Chargers) and Broncos (-3.5) over RAIDERS (76% going with Broncos). If you take the Rams, Chiefs and Raiders, you’ll go two for three. Guaranteed.
EAGLES (-3) over Seahawks
Fuck it. Why not?
COLTS (-7) over Jaguars
C’mon Peyton, let’s see how much of a man you are. Time for a statement game.
Bills (+6) over REDSKINS
Look for Buffalo QB Trent Edwards to take advantage of a Redskins’ secondary that has been decimated by injury and murder.
(Yikes.)
(Seriously, even for me, yikes.)
SAINTS (-3) over Bucs
My weekly no idea pick: This game has gamblers almost evenly split, with a slight advantage going to New Orleans. To be honest, I have no idea why more people aren’t picking the Saints here; I think the Bucs are frauds and a 24-3 first round playoff exit waiting to happen. Of course, since I just said this, you know what’s going to happen: Bucs 49 Saints 7. I’m sticking with the Saints.
Patriots (-20) over RAVENS
Yes, people are little wary of such a high line after the Eagles’ "scare", but here’s the thing: if possible, the Ravens offense will score negative points in this game. They are truly a terrible offensive football team. Alternatively, the Eagles’ "stopped" the Pats and they still scored 31 points. Their lowest point total was against Indy, then the second-best team in the league, and they scored 24 points on them. Aside from those two games, the Pats are averaging 43 points a game. Do you really think the Ravens, a less than average team with one of the bottom three or four offenses in the league, will score 23 points on the Pats? How about 13 points? 10 points? I’ll take the Pats.
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Six Songs (bonus edition)
"The Ghost of Genova Heights" Stars
Whoa - what is this? I thought Stars was all strings and sadness? I heard this on the indie station in Philly last week and had no idea it was Stars, as it seems too funky and smooth at the same time for them. If I were gay and wanted to seduce a guy I brought home to my apartment, I’d put this song on and do a little dance for him as he sat on my couch, and we’d be doing it in no time.
(Not that I’ve thought a lot about this. I swear - it just came to me right now.)
"I Want You" Tom Waits
Um, welcome to the most beautiful love song ever. If you have a make-out mix, put this on it. If you are getting married, make this your wedding song. If you have a beard, a blog and back hair, play this on repeat while sitting in a darkened room drinking whiskey and water until 4am.
(God, I am going to be such a good divorcee. I just know it.)
"Strange" Built To Spill
If I had discovered this band in high school, I would have lost my shit (I feel the same way about Muse, but for different reasons). They were only just starting when I was in high school, and this song was released in 2001 (I think), but they have a sound that would have drove me wild back in those high school days: sort of lonely but also intelligent, kind of exclusive, definitely different. Please feel free to insert your best "you sounded like a real winner in high school" joke here.
"You’ll Get Yours" Dios Malos
I discovered this song on my iTunes recently when I was trying to rate those unrated (no star) songs. I have no idea where it came from, but it’s fucking awesome. It’s a perfect mix of catchiness, bitterness, and humor; kinda like me - only this song has less pizza.
"Metarie" Brendan Benson
There is so much shit going on in this song, it’s stunning; it’s like a fucking amusement park ride. Particular kudos to the delicious (yes, delicious) solo and the "You got it bad" chorus. I hated Brendan Benson for about two years because I read a review that compared him to all four Beatles rolled into one (um, not true), but I’m warming to him again.
(I once read an interview with Alicia Keys before her debut album and she compared her sound to "Stevie Wonder meets Bach" or something like that. Since then, I’ve wanted to meet her in person, just so I can call her a c-nt for saying that - and I even like her stuff. What a totally ridiculous and asshole thing to say.)
"Half Moon Rising" Yonder Mountain String Band
Is it wrong that every time I listen to bluegrass, the first thing I think of is how I’m never go to have sex with a real Southern* girl? Is it bad that I simply can’t enjoy the music without my thoughts turning to sex? I hear this song and I want to be sitting on the porch of a cabin in the Smokey Mountains or the Rockies, playing my banjo next to my baby, sipping whiskey and looking at trees and grass and stuff. Then she’ll sit up in her rocking chair in her little sundress, put her whiskey down, lean over to me, place her hand on my bird, look deep into my eyes and say, "I think I’m drunk enough to let you have your way with me now, even with this lil’ lightswitch you have in your pants." Without saying a word (I’m too drunk to speak), I will stand up and we will make love, right there on the porch - and I won’t stop playing the banjo the whole time.
This is how I want to live.
[*I use "Southern" but that's not exactly what I mean. I'm looking more for more Kentucky-Tennessee-Colorado-Carolinas than Alabama-Texas-Florida. Huge difference. But I don't know what to say instead: Country? Mountain? No idea. Please help.]
"So Far Away" Dire Straits
Pretty much the long-distance relationship anthem and a very underrated classic rock radio song. That’s all. I just really like this song.
"Nothing Stays The Same" Elastica
I don’t think I’ve ever heard anything quite like this song. Sparse, with a droning two-part harmony, electric drumbeat and a finely distorted electric guitar, it sounds like something a cool robot, one who parties but also reads Foucault, would write. I can’t stop listening to it.
"Working Man" Rush
I was in a band in college. We were terrible, but it was fun. We played poor imitations of hard rock songs by bands like Tool, Rage Against the Machine, Helmet, Led Zeppelin, Pearl Jam, Black Sabbath, and the like. We had a steady gig every third Thursday at Great Scott, which I hear is now a respectable (used loosely) music venue in Boston, and played a number of bars in the Allston-Brighton area, which meant free booze. Also, one time after a show in Middlebury College in Vermont I got a blowjob in the woods. Which was totally awesome. Then I got so fucked up I slept in the front seat of a stranger’s truck. In Vermont. In November (I think). Waking up the next day: not totally awesome.
Anyway, I played bass in the band. My training in bass guitar consisted of having a brother who played bass and a willingness to play bass in any band for free drinks (I’ve always played guitar). This was enough to get me an "audition" for the band, which was just then forming. My buddy and college roommate G-Wop played drums, and he was my in. I knew the singer, Pat, from mutual friends, and he scared the hell out of me. The guitarist, Greg, I had only seen around campus.
They (and later, we) practiced in the soundproof basement of Pat’s parents’ house in the suburbs just outside of Boston, and this is where I was brought for my audition. After saying hello and tuning up, I stood and waited to hear what song we were going to "jam" to. I knew this guys liked hard music, stuff that inmates and angry Midwestern townies listen to, while I leaned toward the Elvis Costello-Jeff Buckley "let’s make songs out of poems" camp. Either way, it’s always been my experience when playing with a new band or group of guys the first time, you just sort of dick around and come up with some basic stuff: the bass lays down a riff, the drums come in, the guitar plays over it - just to feel each other out (and hopefully later, up).
As I stood there, Pat turned to the guys and said nonchalantly, "Ok, so ‘Working Man?’" Greg and G-Wop nodded and Greg started on the intro riff.
I was flabbergasted. I had heard the song once or twice before, but honestly would have been less surprised if they had said, "Let’s start with ‘Like A Virgin.’" Rush? Really? Fucking Rush, the band I only knew because of making fun of them? And "Working Man" no less, a semi-obscure song of theirs? I could see "Closer to the Heart" maybe, but "Working Man?" Even knowing their penchant for hard rock, I was stunned.
I had to stop Greg mid-riff to say, "Wait wait wait - I don’t know that one." From their reactions, it looked like I said, "I keep my penis in a jar on my dresser." I’d never felt more awkward, more uncomfortable or less cool than I did when I told them I didn’t know how to play "Working Man." Everything worked out in the end: Greg taught me the basics of the song (which is actually pretty easy), we jammed, I was in, and the rest was history. The band broke up when I went to study abroad and London and they couldn’t find anyone to replace me. That they fell apart without me made me happy.
My old roommate Brian, who I also lived with in college but only for a summer (he went to James Madison, I went to BC), knows the story and all the guys involved in it, and it’s become a running joke for us for years. Whenever we’re out and about in NYC and we walk into an uncomfortable bar or party, we’ll stop, awkwardly survey the surroundings, and:
Brian: "So, uh, ’Working Man?’"
Me: "Yeah. Yeah, let’s do that one."
Now every time this song comes on my iPod, I can’t help but smile as I think of those first awkward moments in the incipient stages of my rock "stardom" and how "Working Man" will be associated with any uncomfortable entrance or situation, probably for the rest of my life.
Fucking Rush.
[Have a good weekend]
